Aug. 5th, 2005

quesarah: (Default)
4 August 2005

How To Sell Humvees To Men

Women have used the tactic for years: Call a guy a sissy, and he'll try and fix the sputtering carburetor. Now, a new study demonstrates just how sensitive men can be to attacks on their manhood. The result might shed light on how males are adjusting to changing roles in society.
Manly man. Threatening a man's masculinity makes him more likely to want an SUV.

Freud argued that people respond to attacks on their identity by exaggerating the threatened trait. Scientists have noted since the 1950s that men who were insecure about their masculinity were more likely to be racist and authoritarian, though few sociologists have tested this by manipulating men's insecurities experimentally.

To investigate the effects of psychological emasculation, sociologist Robb Willer at Cornell University in Ithaca, New York, and colleagues gave 111 Cornell undergraduates a gender identity survey, and regardless of the answers, told half that they appeared extremely feminine and half that they seemed terribly masculine. The researchers then surveyed students' attitudes towards politics, homosexuality, and car purchases. Males who were told they were effeminate were more likely to support the Iraq war, Bush's handling of the war, and a ban on gay marriage. Threatened men also expressed greater interest in buying an SUV, and they were willing to pay up to $7,000 more for the vehicle than their nonthreatened peers. Female students, on the other hand, had similar responses regardless of where they were told they fell on the gender continuum, Willer will report at the American Sociological Association's annual meeting in Philadelphia on 15 August.

Sociologist Michael Kimmel of Stony Brook University in New York advises against generalizing the results of the study to all American males. "There's no way that 20 year old college guys are secure in their masculinity," he says. Older men wouldn't show the same effect, he predicts. But social historian Rocco Capraro of Hobart and William Smith Colleges, Geneva, New York, says that if the work holds up in additional studies, the results suggest men aren't gracefully accepting their changing role in society. As women move into traditionally male domains, men are taking up more female roles and are being put on the defensive. But instead of fighting back with hypermasculinity, men should accept the changing times, Capraro says. And leave the engine to their female mechanic.

--MARY BECKMAN

Copyright © 2005 by the American Association for the Advancement of Science.

Whoa.

Aug. 5th, 2005 12:45 pm
quesarah: (Default)
I just accidentally found an estranged friend on myspace. I honestly don't know what to do about it, if anything.

ETA: I said hello. I found her by looking for fellow biosci alumns of OSU; if I found her so easily she could do the same. And considering I was this woman's maid of honor, it seemed silly not to say hello.

Weird.
quesarah: (Default)
The last week, I've been listening incessantly to the Wicked soundtrack. It may not be the best musical ever written but it's catchy as hell. How I do enjoy clever rhyming and wordplay in song lyrics.

When I see depressing creatures
with unprepossessing features
I remind them on their own behalf
to think of celebrated heads of state or
even Great Communicators
Did they have brains or knowledge? Don't make me laugh!
They were popular!


However, I'm going to be a music snob. I know Idina Menzel worked her butt off, I know she won the Tony, I know that she's the professional singer and not I. But I don't like her technique.

I told you I was a snob.

I don't like the way she spreads her tone; you can sing with a forward tone, enunciate and project to the rafters without spreading your tone out wide. If the word "felt" comes out sounding like "faaaaahlt" then chances are you need to cover your tone. Just a little backspace, that's all it takes. Because, projecting to the rafters and sounding shrill? Eeek. Projecting to the rafters with a full, rich tone? Sexxxay.

Plus, she affects this funky breathy little girl tone on I'm Not That Girl that ruins the song for me. Stephanie J. Block (from the touring company) on the other hand, brought me to snuffling tears with her heartfelt, beautiful rendition of the same song. I'm not one of those form-over-function types who enjoys heartless but technically perfect music. On the contrary, if it doesn't touch my heart I don't care how perfect it is. However, I do firmly believe that technical prowess can help the performer more fully relate the story of a song and express the nuances of emotion contained therein. Plus it keeps your voice happy and healthy. Yay all around!

Kristin Chenowith on the other hand? I HEART her! *squeee*

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